Daya Gamage in Asian Tribune, 12 February 2019, where the title is
The Acquisition and Cross Servicing Agreement (ACSA) signed between the Governments of Sri Lanka and the United States in March 2007 which allowed both countries to transfer and exchange logistics supplies, support, and re-fueling services clearly benefitted the United States in its military operation in the Asia-Pacific region – specifically US Pacific Command (USPACOM) which is now US Indo-Pacific Command (USINDOPACOM) – but left Sri Lanka with absolutely no benefit from the U.S. at a time Sri Lanka was in an intense military battle with the separatist Tamil Tigers.
Sri Lanka’s Defense Secretary Gotabhaya Rajapaksa (2005-2015) and U.S. Ambassador to Sri Lanka (2006-2009) Robert Blake in a conversation in Colombo during the time the 2007 military agreement was signed Continue reading
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ONE = Mary Lloyd: “The Australian artist who captured the horror of 9/11 on film,” 11 September 2017
Chris Hopewell heard the sound of the first plane collide with the World Trade Centre on September 11, 2001, but it was his cats running in circles that tipped him off that something disastrous had happened. After the Australian artist opened his curtains and went onto the balcony of his Williamsburg apartment, he saw the damage that had been done to the tower, but had no idea what had caused it.
Pic by Reuters- Sara K Schwittek
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Palitha Kohona, courtesy of Ceylon Today
It was another sunny September morning. The sky was a brilliant blue. As I gazed out of my kitchen window while having breakfast, in Midtown Manhattan, the Twin Towers were glistening in the morning sun. I noted, as I often had, that they were still there, a familiar reassuring sight. The cute young blonde in the apartment across the street was drying her wet hair, as usual, by her plate glass window. The walk to the United Nations (UN) and my office on the 32nd floor of the Secretariat was uneventful.
Kent Kobersteen, former Director of Photography of National Geographic
“The pictures are by Robert Clark, and were shot from the window of his studio in Brooklyn. Others shot the second plane hitting the tower, but I think there are elements in Clark’s photographs that make them special. To me the wider shots not only give context to the tragedy, but also portray the normalcy of the day in every respect except at the Towers. I generally prefer tighter shots, but in this case I think the overall context of Manhattan makes a stronger image. And, the fact that Clark shot the pictures from his studio indicates how the events of 9/11 literally hit home. I find these images very compellingÑin fact, whenever I see them they force me to study them in great detail.”
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