An Appeal for Donations from BRIDGING LANKA
Dear Michael, … As we edge nearer to Mothers’ Day, we are trying to raise funds for a project which is close to our hearts — the building of a catering kitchen and cafe for our widows to enable their financial survival: https://chuffed.org/project/mothers-4-mothers
This project focuses on vulnerable women who’d been affected by the war. Many are widows, some were deserted, some are disabled and some have been victims of rape and assault, many have children to care for. They are a bunch of survivors, admirable people, wonderful cooks and carers. Continue reading
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Johnny de Silva
Aloysius Oswin Silva ……Born = June 21, 1937 ….. Called to Rest = March 2 2018
Oswin joined St. Aloysius College in January 1947 when he was 9 years old. At that time his parents Mr and Mrs A Moses Silva lived in Peliagoda, Kelaniya. He continued at SAC till he had reached the HSC form when in 1958 he left to join Aquinas University College in Colombo. Continue reading
Mal Chenu in Sunday Mail, 15 April 2018 ….. where the title runs “Why Aussies love Sri Lanka Right Now”
Venetian adventurer Marco Polo described Sri Lanka as “the finest island of its size in all the world”. Sure, that was in the 13th century and young Marco hadn’t seen Tasmania but the myriad wonders of this tropical nouveau-paradise are as varied and exotic as the scents in the spice gardens of Matale and Kegalle. In short, Sri Lanka is a potpourri of unpredictable pleasures. Once a flyover location, eschewed by travellers for years because of civil war, Sri Lanka is fast emerging from its travails, posting sharp rises in tourism since the 26-year conflict ended in 2009.
Sigiriya is a World Heritage site
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ITEM in Thinkworth = https://thinkworth.wordpress.com/2015/05/10/when-gregory-peck-had-flu-in-sri-lanka-during-purple-rain/
Gregory Peck’s flu was cured by ginger-coriander tea when filming in Ceylon (Original Title)
TW has embedded a 7+minute Utube clip of the film “Purple Rain” shot in Sri Lanka …. https://www.youtube.com/watch?v=BjOmbJK_4-k
The ‘Spotlight’ column returns after a lengthy interval. The focus this time is on American actor Gregory Peck. There is no particular reason other than nostalgia for writing about this former Hollywood idol at this time. Born in 1916, Peck passed away in 2003. So this year 2015 does not mark any significant anniversary in his life or of his death. Continue reading
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Michael Roberts: with original title being “From Empiricist Conflation to Distortion: Caste in South Asia” – reproduced from Modern Asian Studies, 1983, vol 17/3, pp. 519 -27.**
Susan Bayly has done me the honour of reviewing the book on Caste Conflict and Elite Formation: The Rise of a Karava Elite in Sri Lanka, 1500-1931 at considerable length. Her essay is appropriately entitled ‘The History of Caste in South Asia’. This title provides a clue to the interpretative pathways which have led her systematically to misunderstand the arguments within the book. No less problematical is her implicit belief in the possibility of constructing a composite picture of the caste system qua system on the basis of empirical data drawn from different regions, regions as widely different as Sri Lanka, southern India and western India. Let me elaborate this charge, and in doing so reiterate the arguments which I presented.
Contemporary migration patterns of fishermen derived from Fritz Bartz: “Fischer auf Ceylon,” Bonner Geographisische Abhnadlungen Heft 27 (1959)
DBT Kappagoda, in Daily News, 4 April 2018, where the title reads thus “How Kandyan dancing began”
Kandyan dancing is popularly known as Udarata Natum derived its name from the traditional dance forms peculiar to the central region of Sri Lanka. The origin of Kandyan dancing can be traced back to the time of the Nayakkar rulers who ascended the throne of the Kandyan Kingdom 300 years ago.
In Kandyan dancing Vannam forms as a special feature. In Tamil and Telegu Vannam means a description. When the dancer performs he recites the Vannama and according to the description when he has recited and begins to dance displaying a Tandava style of dancing. The dancing is done in a rigorous way while describing the movement of the cobra (Naiyandi), elephant (Gajaga), peacock (Monera), eagle (Ukussa) showing the onlookers a description of the animal. In the course of the recitation, adoration to the Buddha and the great qualities he had possessed is highlighted.
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