Category Archives: elephant tales

The Kandy Äsala Perahära by Lorna Dewaraja

Tissa Devendra, in The Island, 3 October 2018, with this title “Mirror of Civilisation” being a book review of  The Kandy Asala Maha Perahera – by Dr.Lorna Dewaraja (Vijitha Yapa Publications 2018)

 

In publishing this fine book, Vijitha Yapa has faithfully fulfilled the last wish that Dr. Dewaraja expressed to her family – to hand over to Vijitha Yapa the manuscript of her book on the Kandy Perahera. I now have the privilege of reviewing this publication.

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Filed under art & allure bewitching, British colonialism, cultural transmission, education, elephant tales, heritage, historical interpretation, landscape wondrous, life stories, religiosity, self-reflexivity, sri lankan society, the imaginary and the real, travelogue, unusual people, working class conditions, World War II

Visvakarma’s Celestial Manifestatations in Asia and Sri Lanka

Lopamudra Maitra Bajpai, in newsin.asia, 17 September 2018, where the title reads “Vishwakarma, the celestial architect who built Sri Lanka”

The Vishwakarma puja, which was observed on September 17, is not restricted to India but is observed in Sri Lanka, Bangladesh, Nepal and Bhutan. The puja closely follows the celebration of the Ganapati festival. In some places, it is performed the day after Diwali in October or November.

Vishwakarma puja or Kanya Sankranti is celebrated in the Indian states of Uttar Pradesh, Bihar and Jharkhand in North India; Karnataka in the south; and Assam, West Bengal Odisha and Tripura in the east, in honour of Vishwakarma – the celestial architect.

Vishwakarma idols of Bengal made of clay

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Escaping to Sri Lanka on Holiday

Mal Chenu in Sunday Mail, 15 April 2018 ….. where the title runs “Why Aussies love Sri Lanka Right Now”

Venetian adventurer Marco Polo described Sri Lanka as “the finest island of its size in all the world”. Sure, that was in the 13th century and young Marco hadn’t seen Tasmania but the myriad wonders of this tropical nouveau-paradise are as varied and exotic as the scents in the spice gardens of Matale and Kegalle. In short, Sri Lanka is a potpourri of unpredictable pleasures. Once a flyover location, eschewed by travellers for years because of civil war, Sri Lanka is fast emerging from its travails, posting sharp rises in tourism since the 26-year conflict ended in 2009.

Sigiriya is a World Heritage site

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An Elephantine Hand … EH! A Push

https://mail.google.com/mail/u/0/#inbox/1628f51ff7968ef4?projector=1&messagePartId=0.1

…. OTHER SCENARIOS from the Sri Lankan Wild

Pics by Zac Roberts Ronald at Bundala, early January 2018 Continue reading

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Filed under accountability, charitable outreach, elephant tales, landscape wondrous, sri lankan society, the imaginary and the real, trauma, voluntary workers, welfare & philanthophy, wild life

White ‘Jihadist’ terrorises White House!

So says CLEMENT in The Australian

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Animal Ways

a hermit crab at Mirissa

  a copulating pair of Toque Macaque at the Peradeniya Botanical Gardens …. maybe 7-to-8 acts of penetration within the minute…not rape – just a willing partner

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Filed under elephant tales, island economy, landscape wondrous, life stories, pilgrimages, pulling the leg, self-reflexivity, sri lankan society, the imaginary and the real, tourism, travelogue, wild life, world affairs

Aussies celebrate a Victorious Cavalry Charge: The Light Horse at Beersheba in 1917

Peter Craven, in The Australian, 31 October 2017, where the title is “The Light Horse at Beersheba was poetry in motion”

The Light Horse and the Battle of Beersheba. It’s a strange story, though an old one, of how we turn the slaughter of war into the stuff of legend. But there’s a truth, as well as a myth, in the idea that this country came of age with Gallipoli; and that World War I’s official historian, CEW Bean, was on to something, not just propaganda and making the best of a bad lot, when he said the courage of the Anzacs was a defining moment.

George Lambert’s painting  The Charge of the Australian Light Horse at Beersheba is an old-style celebration of an old-style battle, and looks to the memory of a chivalry that was being lost.
George Lambert’s painting The Charge of the Australian Light Horse at Beersheba is an old-style celebration of an old-style battle, and looks to the memory of a chivalry that was being lost.

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