Nan, in Island, 4 November 2017 where the title reads as “The Portuguese Burghers and Kaffirs”
Ethnic groups are disappearing and thus the research interest on these endangered human groups, their language and culture. One such research that is on-going is on the Portuguese Burghers by the Universidade de Lisboa with funding from the Endangered Languages Documentation Programme of SOAS, University of London. The International Centre for Ethnic Studies (ICES) which is collaborating with the research, facilitated a discussion on the Sri Lankan Portuguese Burghers and their heritage with those on the research project: Hugo Cordosa, Patricia Costa, Rui Pereira, Mahesha Radakrishna – all of the University of Lisbon; Dinali Fernando of the University of Kelaniya and Earle Barthelot, representative of the Portuguese Burgher Community and former secretary of the Burgher Union of Batticaloa.. This was on Tuesday 31 October.
Filed under art & allure bewitching, British colonialism, caste issues, cultural transmission, discrimination, disparagement, economic processes, ethnicity, female empowerment, heritage, historical interpretation, island economy, landscape wondrous, life stories, politIcal discourse, Portuguese in Indian Ocean, power politics, racist thinking, self-reflexivity, sri lankan society, the imaginary and the real, tolerance, unusual people, welfare & philanthophy, working class conditions, world events & processes
Justin Burke, courtesy of The Weekend Australian Review, 28/29 October 2017 where the title is “Homecoming Queen”
When opera superstar Danielle de Niese returns to Australia next month to perform in The Merry Widow, among the audience will be one particular fan from her past: Johnny Young. For it was in the final year of Young’s long-running TV talent show in 1988 that de Niese, then a precocious nine-year-old singing Whitney Houston ballads and musical theatre standards, got her first big break.
“Young Talent Time never ‘made’ anybody’s talent, Danielle’s wonderful voice was a gift from God,” says Young, of the series that aired on Channel 10 for an astonishing 18 years. “Danielle was a sweetheart, and she became more and more relaxed as that season went on, and by the time she won it you could see this girl was going to be something special.”
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Darshanie Ratnawalli, in Island, 21 October 2017, with title as “A long, beautiful woman carries a garland,”
An elongated woman, not as elongated as a fashion designer’s sketch, but in exactly the right proportion for visual grace sits on the floor at her ease. The gold colour of her jacket and cloth shimmers, almost blazes out, creating a pearlescent cloud of luminance, behind which the darkness of the room is a solid backdrop. Both the luminance and the golden colour have texture that leaps out of the canvass inviting touch. An invitation revoked by norms of polite society, which insists that touching is the exclusive province of ownership. And ownership will not change at any price. Iromie Wijewardena will never part with her ‘Artist Collection’ of which ‘After the performance’ just described is part. One can only admire from the safe confines of her art deco living room, while under a guest’s obligation to respect the host’s possessions.
Filed under art & allure bewitching, citizen journalism, cultural transmission, female empowerment, heritage, landscape wondrous, life stories, meditations, self-reflexivity, sri lankan society, the imaginary and the real, unusual people
Darshanie Ratnawalli, in Island, 7 October 2017 with a different title
My perception was that Tharanga Goonetilleke, the lyric soprano from Sri Lanka did not beat huge odds in becoming an international star in western classical music. Consider the facts. Scrutinize particularly the Symphony Orchestra of Sri Lanka (SOSL) Concerto Competition winners in the 1990s. In 1994, SOSL, the oldest continuously performing symphony orchestra in South Asia commenced the bi-annual Concerto Competition to showcase young talent. Sixteen year old Tanya Ekanayaka won in Piano jointly with Soundarie David and Gayathri Attiken.
Filed under art & allure bewitching, cultural transmission, education, ethnicity, female empowerment, heritage, landscape wondrous, life stories, performance, sri lankan society, the imaginary and the real, unusual people, world affairs
Meredith Booth, courtesy of The Australian October 2017, where the article is entitled “Art’s at the heart of Paula Nagel’s Walkerville home”
Television, education and arts identity Paula Nagel has called Walkerville, in Adelaide’s leafy inner northeast, home for the past 17 years. The modern red-brick home sits at the centre of a thoughtfully disguised triplex belying a trove of art and treasures hidden within, reminders of Nagel’s extensive travel and varied career. “Everything in this house is me. I love maps and exotic things,’’ she says from a kitchen that holds decorative Russian spoons, tins and plates collected from her frequent trips to Greece and Moscow in the 1980s.
Paula Nagel, with her 8-year-old miniature poodle Luca at home in Walkerville. Picture: Kelly Barnes