Justin Burke, courtesy of The Weekend Australian Review, 28/29 October 2017 where the title is “Homecoming Queen”
When opera superstar Danielle de Niese returns to Australia next month to perform in The Merry Widow, among the audience will be one particular fan from her past: Johnny Young. For it was in the final year of Young’s long-running TV talent show in 1988 that de Niese, then a precocious nine-year-old singing Whitney Houston ballads and musical theatre standards, got her first big break.
“Young Talent Time never ‘made’ anybody’s talent, Danielle’s wonderful voice was a gift from God,” says Young, of the series that aired on Channel 10 for an astonishing 18 years. “Danielle was a sweetheart, and she became more and more relaxed as that season went on, and by the time she won it you could see this girl was going to be something special.”
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Upul Wijayawardhana, courtesy of Daily News
The systematic suppression of women, persisting over centuries, has been legitimised, largely by religions and is an art-form mastered by ‘Men in Robes’. At the dawn of civilisation, women were considered superior for the simple reason that only they could produce an offspring for the continuation of the species. There is evidence to show that in Mesopotamia, one of the cradles of civilisation, if not ‘The Cradle of Civilisation’, there was equality. In the early Sumerian period, “a council of elders”, represented equally by men and women, ruled the population but gradually a patriarchal society emerged.
Filed under accountability, Buddhism, cultural transmission, discrimination, education policy, female empowerment, fundamentalism, gender norms, heritage, Hinduism, historical interpretation, Indian religions, Indian traditions, legal issues, life stories, welfare & philanthophy, world events & processes
KNO Dharmadasa, in The Island, 18 November 2011, where the title is “Sinhabahu : Fifty Years’ Memories”
The year 2011 marks fifty years after the first staging of Professor Sarachchandra’s play Sinhabahu which shares with his own Maname (1956) the record of enduring presence among theatre goers in Sri Lanka since the day they were first staged. The University of Peradeniya, the birth-place of the play, will ceremonially celebrate this golden jubilee on the 22 nd and 23rd of this month. The first item of this celebration will be the staging of the play in its original venue the Sarachchandra Open Air Theatre on the 22nd. The Rasikas will enjoy this performance free of charge, the University bearing the expenses. It will be followed on the 23rd with a seminar-discussion in which the original and later generations of actors and Rasikas will share their views and reminiscences.
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Ceylon Tea: The Trade That Made a Nation
The Colombo Tea Traders’ Association will celebrate the 150th anniversary of Ceylon tea on July 20th with the launch of an illustrated history entitled Ceylon Tea: The Trade That Made a Nation. This art-quality large-format illustrated book has been authored by Richard Simon with Dominic Sansoni as Illustrations Editor, while the design has been fashioned by Sebastian Posingis. Continue reading
Filed under British colonialism, commoditification, cultural transmission, economic processes, gender norms, governance, heritage, historical interpretation, immigration, Indian Ocean politics, island economy, land policies, landscape wondrous, Left politics, legal issues, life stories, literary achievements, modernity & modernization, nationalism, politIcal discourse, power politics, propaganda, self-reflexivity, Sinhala-Tamil Relations, sri lankan society, Tamil migration, the imaginary and the real, transport and communications, travelogue, welfare & philanthophy, working class conditions
Sinharaja Tammita-Delgoda, courtesy of the Daily Mirror, 26 April 2017, where the title rune thus: “Martyrdom and LTTE. The worship of death” … with highlighting and additional bibliographivcal references at the end inserted imposed by The Editor, Thuppahi
Dr. SinhaRaja Tammita-Delgoda is one of the few non-combatants allowed into the war zone during the final stages of the Eelam War. On his own initiative, he made an application to visit the operational areas and was granted permission to do so by the Defence Ministry. He toured these areas on three occasions between March and April 2009. His work has been published in international media and military journals, and presented to audiences in the U.K., India and Canada. Dr. Tammita-Delgoda has never been an employee of the Sri Lankan Government nor the Defence Ministry. These impressions and supporting photographs are original and based on firsthand experience in 2009 when the war was still raging and had entered its final stages.
Filed under art & allure bewitching, Buddhism, gender norms, historical interpretation, human rights, landscape wondrous, life stories, LTTE, martyrdom, nationalism, politIcal discourse, power politics, prabhakaran, religiosity, Saivism, self-reflexivity, Sinhala-Tamil Relations, sri lankan society, suicide bombing, Tamil Tiger fighters, terrorism, the imaginary and the real, world events & processes, zealotry