Category Archives: photography
Shenali D Waduge, reproducing here an old article in Lankaweb from 22 December 2013 which I had not seen even though I had interacted closely with Murali in Colombo in May-June 2009 (as well as subsequently) and been commissioned to write pieces for Frontline; while also been privileged to chat with Kanchan Prasad in mid-2010 after Murali introduced me to her, after which I gained access to her invaluable snaps of the Nandikadal war zone. These I placed in a special site, viz. http://www.flickr.com/photos/thuppahi/sets/72157626797805167/ et seq.
Waduge’s article is entitled “Sri Lanka’s War had Witnesses : Indian Journalist B. Murali Reddy”. In the reproduction below, the highlighting in red [as distinct from black] is my imposition as Editor, Thuppahi. Also see my SPECIAL NOTE at the end
Firstly Sri Lanka’s war did have witnesses. The witnesses were however NOT – Gordon Weiss, Francis Harrison, Channel 4, the Darusman Panel, Charles Petrie and a whole list of others who have promoted themselves as witnesses when they are not because they were never inside the war zone. They were only passing between themselves a version they have contrived that fits well within a different agenda that has nothing to do with what they claim it is. Questioning their credibility further is their sources – who happen to all be pro-LTTE. However, there was a witness throughout. He was foreign and his name is B. Muralidhar Reddy, an Indian journalist working for The Hindu/Frontline and his account “Final Hours – An eyewitness account of the last 70 hours of Eelam War IV’ gives a real eyewitness account of what he himself saw. http://www.frontline.in/static/html/fl2612/stories/20090619261200900.htm Continue reading
in Daily Mirror, 8 May 2017, with title “False-flag chemical weapons attack: Re-play of an old US ploy to smash Syria? – See more at:
As the fallout of the April 4th chemical weapons attack in Khan Sheikhun in Syria continues to unfold, contradictory reports on the incident have produced more questions than answers as to what really happened. The only certainty seems to be that sarin or a similar poison was used. This was confirmed by the Organisation for the Prohibition of Chemical Weapons according to Reuters, but OPCW was not mandated to assign blame.
Michael Roberts on Bhawan Singh’s Pictorial Images
The first two images reveal the agitation and anguish of Indian citizens in Delhi who had rushed to the entrance of the All India Institute of Medical Sciences on the 31st October where Indira Gandhi had been rushed to in hopes of her resuscitation after she was shot by her own Sikh bodyguards. Two more pictures below underline the emotions coursing through the minds and bodies of these patriot citizens of India who were so moved by the prospect of her death that they rushed to her side so to speak. Continue reading
David Blacker, courtesy of SERENDIB, December Issue 2016 … http://serendib.btoptions.lk/article.php?id=1914
The hands and fingers seemed to work to an inner beat, to a pulse, only the drum-maker himself could hear. As wood was smoothed, leather cords tightened, and cowhide stretched, they would be periodically tested, plucked, tapped, thrummed by the fingers, searching for a quality defined by sound. Ironically, in the gloom of the small stall that doubled as a workshop, there was no music whatsoever; not even a transistor radio. The only sounds were those of the tools, the muted conversation, underlined by the tapping.Nimal Wickramasiri is an artist. And his art is the beat. Nimal is not a musician, but the drums he makes are sought after by musicians all over Sri Lanka. Now middle-aged, Nimal has been making drums all his life. His father, awarded by three Presidents, had done the same, as had his grandfather, and for generations before, now lost in the rhythm of time. Nimal’s son, Kasun, is a skilled drum-maker in his own right. The beat in this family’s blood shows no sign of drying up.